Discussion:
"Basketball bounce ping" in a bass drum
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Trevor Magnusson
2004-07-24 03:42:15 UTC
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This has been discussed before, I've Googled the archive. Everyone
seems to think it's all to do with head choice and tuning.

I've just done a morning's research, and I have my own theory.

My Gretsch Renown Maple kick is 20x18. I wanted a 20" diameter and
would have preferred one not so deep (perhaps 16) - but everything
else about the MRs was what I was after, so...

I've absorbed some of the purist vibe of this place, so I was trying
for nothing inside the drum, no port, and felt strips. I was still
using the factory heads - not entirely sure what they were, looked a
bit like Evans EQ4, but the resonant head was the same configuration,
not an EQ resonant model.

After a few trial tunings, I had it sounding good from the throne. I
was set.

Then I tried recording: D112 in front, SM58 behind for beater click.
Soft hits were beatiful. But hard hits - hello "basketball bounce
ping". I soloed each mic - same thing.

There followed a period of experientation with tuning and heads. Lots
of interesting education for me, but the ping persisted. (I
especially bought a really cheap head to melt a hole into. But I
don't think its lack of quality has any impact on subsequent
findings.)

Here's where it got interesting - I had completely damped both heads
(drum on end, resting on a pillow, my arm draped across the top).
When I belted it, that pesky ping was clearly audible.

Then I recalled a review I read a year ago in "Drum!" (I think), and
also some commentary on internally-mounted kick drum mics - both of
which suggested it was the internal cavity, not the heads (or even
shell per se).

So... first a small pillow inside (I woke up Mr Almost-two when I
stole it), not even touching either head - instant joy! I then tried a
small folded-up towel - also did the trick.

When you've got stuff inside a drum, a ported head makes things much
more convenient (ie adjustment), but I still like the no-hole,
felt-only configuration. So I'm considering adhesive velcro.

SO... IF you have no internal pillow-type muffling, AND you're
troubled by basketball-bounce on harder hits, it's quite likely to be
caused by the completely smooth internal cavity. At least it's the
case for my 20x18. Other sizes may behave differently.

Can anyone else confirm this (or beg to differ)?
Stan Mulder
2004-07-24 07:22:31 UTC
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Post by Trevor Magnusson
Can anyone else confirm this (or beg to differ)?
I had MayEA modified SM57's mounted in a few double headed toms and had
nothing but that basketball ping sound. It was so bad I never used these
mics.

On the other hand I had an AKG D12E mounted in the bass drum (MayAE
system) with a ported resonant head and muffling inside. Everybody,
including me, loved the sound. I never mic'ed the batter side however.

I don't know if I can confirm anything because I was always baffled by the
ping sound in the toms. I assumed the problem was the modified SM57's.
Maybe not after reading your post. I never experimented further with the
bass drum.

Other than that, I think somebody should invent an adjustable bass drum
port so you can reach in there and adjust a towel and then keep it open
for a funky sound or close it for a more resonant sound.

Stan
Trevor Magnusson
2004-07-25 13:56:04 UTC
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At least it's the case for my 20x18. Other sizes may behave
differently.

I've noticed that folk who use no internal treatment on the kick
(except possibly felt strips) seem to have a preference for quite
shallow drums - 14" common, 16" max. Could it be that it's the larger
sizes that bring this on.
... or even that infamous "silver sealer" that G-wretch use?
Vince Schaefer
2004-07-25 18:15:00 UTC
Permalink
When I listen to my bass recorded I'm glad I got the bigger drum (Premier
Artist Maple)....I have half a sheet (like for a bed) folded and laying
between the two heads without touching. Even without the sheet it's not so
bad, not basketbally. I use the Evans with two damper rings and stock head
on front with one ring. Hole for mic, especially because this mic likes to
be a couple inches from batter (AKG bass mic) When I get a chance, I'll put
a new front on with a smaller hole. (like three inches)
Vince
Micing the bass with a second mic on the performers side is new to
me.....after experimenting: it doesn't make the 'clic' better (if I want
more clic I can just put the mic half an inch closer) but it does seem to
add a little full muffled round bass sound......I think with the smaller
hole in the front, I might get this extra little bit of bottom naturally,
with just the one mic. Don't get me wrong, this bass has plenty with just
the one mic, and blows away some pricier kits.
Post by Trevor Magnusson
At least it's the case for my 20x18. Other sizes may behave
differently.
I've noticed that folk who use no internal treatment on the kick
(except possibly felt strips) seem to have a preference for quite
shallow drums - 14" common, 16" max. Could it be that it's the larger
sizes that bring this on.
Trevor Magnusson
2004-07-25 21:26:11 UTC
Permalink
I think the double-mic trick is only done for unported front heads,
where it's felt there's not enough click from micing in front of the
front head.
Trevor Magnusson
2004-07-25 21:27:53 UTC
Permalink
I 've noticed that folk who use no internal treatment on the kick
(except possibly felt strips) seem to have a preference for quite
shallow drums - 14" common, 16" max...
Forgot to mention - they also seem to like softer beaters, which may
also reduce ping.
Pete Pemberton
2004-07-29 20:36:09 UTC
Permalink
Post by Trevor Magnusson
Can anyone else confirm this (or beg to differ)?
I have a Sonor HiLite Maple kit (that is for sale BTW....) with an
internal mic.

P3 head with a Force front head (with the felt center ring), no port
and one of those bargain AT kick mics from Musician's Fiend for $75,
basketball bounce BIGTIME. Changed batter to SKI and mic to the Shure
Beta kick mic (not the green) and is is dead but no basketball ring.

Oh, internally mounted. See Guru for a low cost internal mount for toms
and bass.

PP

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